台北當代藝博會在台灣三年Taipei Dangdai: Three Years in Taiwan

面對2021年因疫情停擺的空白，2022年5月「#台北當代藝術博覽會」（Taipei Dangdai – Art & Ideas）確定重啟第三屆的展會。

影片由台灣藝文生態的關鍵角色包括姚謙、賴香伶、林昆穎、李政勇、林強、李依耘，回饋對於台北當代藝術博覽會的體驗與觀察。並以在台灣駐地超過兩年的台北當代聯合總監 #岳鴻飛（#RobinPeckham）的視野，談到兩年準備期間，如何「#傾聽」理解收藏家、藝術家、藝術社群真實的需求，反思在這樣國際化緊縮的時刻，藝博會還有哪些功能是重要的。岳鴻飛強調本屆「台北當代」，重要的兩個取向是 #在地化 與 #數位化。

數位化的部分，由展會 #NFT 總監 #ChristopherAdams 來說明，分享這次展會NFT項目的參展單位、亮點與展望，同時藉由展會NFT新項目合作方、台灣藝文界關鍵位置代表者、藏家群體與台北當代的互動，分享各自對展會的觀察與期待。台北當代之於台灣當代藝術地景和生態，究竟扮演何種角色？收藏家群體、藝文代表期待台北當代為台灣的文化地景帶來何種嶄新的啟發？

After 2021 left a gap in the calendar when the pandemic brought events to a standstill, May 2022 confirmed the return of #TaipeiDangdai (Taipei Dangdai – Art & Ideas) for its third edition.

In this film, key figures from Taiwan's arts and culture scene — 姚謙, 賴香伶, 林昆穎, 李政勇, 林強, and 李依耘 — reflect on their experience of the fair and what they've observed. Through the perspective of Co-Director #RobinPeckham (岳鴻飛), who has been based in Taiwan for more than two years, the film looks at how the two-year lead-up became a chance to #listen — to understand what collectors, artists, and the wider art community genuinely need, and to ask which of a fair's roles matter most at a moment of global retrenchment. For this edition, Robin Peckham highlights two guiding directions: #localization and #digitalization.

On the digital side, the fair's NFT Director #ChristopherAdams walks through this year's #NFT program — its participating projects, highlights, and outlook — while new NFT collaborators, leading voices from Taiwan's art world, and the collector community share their own exchanges with Taipei Dangdai and what they hope to see. What role does Taipei Dangdai play within Taiwan's contemporary art landscape and ecosystem? And what fresh inspiration do collectors and cultural figures hope it will bring to the island's cultural terrain?